AU

A Skeleton of Itself: How Isaias Afwerki Grounded Eritrea Down

Ethiopia's recent war accusations resurrect fears of another conflict in the Horn of Africa, but the real tragedy is what Eritrea has already become.

UN Charter At 80: A New Multipolar Order or the Reshaping of Multilateralism?

At 80, the UN faces crises from Ukraine to Gaza. With veto paralysis and defiance of norms, multilateralism risks irrelevance.

Tug of War: Centralisation Without Reward Brings the Fight Home

Somalia's regional leaders unite to resist economic centralisation, challenging Türkiye's deals and Mogadishu’s grip on resource control.

Türkiye’s Oil Grab in Somalia: A New Era of Exploitation?

Somalia's oil rush has begun – but with Türkiye taking 90% and chaos looming, who will pay the price for this black gold bonanza?

U.S. Latest Shake Up on Africa: AU Peacekeeping Mission Broke

U.S. rejects Somalia peacekeeping funds amid Al-Shabaab gains, signaling pivot to Somaliland ties as region faces deepening crisis.

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Iran’s Hidden Drone Ring: U.S. Sanctions Companies in China, Turkey, and the UAE

U.S. sanctions on companies supplying Iran’s drone program hit firms in China, Turkey, and the UAE—disrupting trade, finance, and supply chains.

A Skeleton of Itself: How Isaias Afwerki Grounded Eritrea Down

Ethiopia's recent war accusations resurrect fears of another conflict in the Horn of Africa, but the real tragedy is what Eritrea has already become.

LeBron’s Collab with LVMH: Marketing Genius or Risky Timing?

LeBron shocks fans with “the decision of all decisions..." not retirement, but a Hennessy collab amid looming U.S.–France trade tensions.

Sovereignty’s Price: Why the UK’s Security Networks Are Slower After Brexit?

In one year, 40,000 stolen phones were sent to China. Since Brexit, British authorities no longer have access to EU intelligence networks that helped track illegal tech flows.

Memories, People, and Places: Mark Ronson and His New Memoir

Mark Ronson's decision to write from where it all started in Night People feels as intentional as his choice to bring that reflection to life on stage — not as a retrospective, but as a living conversation with the past.